歳時記 (Japanese Haiku: A Topical Dictionary) — 春 Spring — 植物 Plants作者複数 (Various)Japanese Haiku: A Topical Dictionary歳時記Various作者複数Meiji Period to Present明治以降Poetry韻文Japanese日本語Text本文さいじきJapanese Haiku: A Topical Dictionary 歳時記 さいじき Various 作者複数 さくしゃふくすう
歳時記
Japanese Haiku: A Topical Dictionary
作者複数Various
植物【しょくぶつ】shokubutsuPlants
梅【うめ】ume(sometimes むめ mume), plum (blossoms) [technically, the "Japanese apricot", Prunus mume; but this has almost always been translated "plum" for literary purposes] (early spring)
春告草【はるつげぐさ】haru-tsugegusasign-of-spring-plant
The ume is a Rosacaeae and a deciduous tree. Because it blossoms early
in spring, before all other trees, it has acquired the name of "sign-of-spring-plant" ( 春告草 [はるつげぐさ]
haru-tsugegusa ). In China, its place of origin, the ume has been cultivated
for more than 2,500 years. The ume blossom has an important place in Chinese literature and its fruit
is considered important both as food and medicine. It is commonly thought that the ume came to Japan
in the Nara Era when the first Kentōshi (Japanese envoy to the Tang Dynasty) came back with it
for medicinal purposes. The name "ume" is thought to have developed before the tree came to Japan from
the black Chinese smoked plum fruit "u-mei" (烏梅 [Chinese pronunciation] ウメイ), which was used
as medicine. Etymologically, it is also thought that the prefix "m" was added to the Chinese "mei" for
plum, or the Korean "mai," creating the Japanese word "m-mei" or "u-me." The ume
tree seems to have captured the heart of the Japanese as soon as it arrived; in the Manyōshū
anthology, there are more than a hundred poems on the ume. Today, the cherry
blossom is recognized as the quintessential flower of haiku, but in earlier times, the ume
was the flower. Ever since the legend of Sugawara Michizane's flying ume
--- when the plum tree "followed" the banished Michizane from Kyoto to Fukuoka--- the tree has been seen
as the sacred tree of the heavenly Gods. Consequently, the flower and the tree have become deeply connected
to the Japanese spirituality and culture. On a practical level, in Muromachi era, there were techniques
for producing dye from brewing split bits of the tree, or by smoking the plum with straw fire; from
mid-Edo era onwards, with the discovery of the importance of preserved "dried ume" (梅干 [うめぼし]),
which was used as emergency food, each han-province competed to cultivate plum tree forests. The common
"white ume" (白梅 [はくばい] hakubai) is what has generally been called
"wild ume" (野梅 [やばい] yabai), but there are other various kinds, such
as "red plum" (紅梅 [こうばい] kōbai), "lying-dragon-plum" (臥竜梅
[がりょうばい], garyōbai), "blue dragon plum" (青竜梅 [せいりゅうばい]
seiryūbai), "little plum" (小梅 [こうめ] ko-ume),
"Bungo plum" (豊後梅 [ぶんごうめ] Bungo ume), "drooping plum"(枝垂梅
[しだれうめ] shidare-ume). The plum has yet to be brought to Europe or America
and retains its tradition as a strictly Far Eastern flower.
白梅に明くる夜ばかりとなりにけり
蕪村
shiraume ni akuru yo bakari to narini keri
on the white ume,
the night has
only to lighten and end
Buson
梅が香やどなたが来ても欠茶碗
一茶
ume ga ka ya donata ga kitemo kakejawan
Oh the alluring scent of plum tree—
And yet was there to be any visitor, [I have] only
a broken tea cup.
Issa
梅の奥にたれやら住んでかすかな灯
夏目漱石
ume no oku ni tareyara sunde kasukana hi
Secluded behind the ume—
Someone must live there,
Faintly, a light.
Natsume Sōseki
梅が香にのつと日の出る山路かな
芭蕉
ume ga ka ni notsuto hi no deru yamaji kana
fragrance of plums in the air--
in the distance on the mountain path
the morning sun
Bashō
From somewhere distant, the fragrance of a plum tree comes drifting in the mountain path before sunrise.
As the poet senses early spring in the fragrance, the way ahead suddenly becomes brighter and at that
moment the sun rises.
椿【つばき】tsubakicamellia(s) (all spring)
大椿【おおつばき】ōtsubakilarge camellia(s)
落椿【おちつばき】ochi-tsubakifalling camellias
夕椿【ゆうつばき】yūtsubakievening camellia(s)
花【はな】hana(cherry) blossoms [in haiku and haikai the simple word hana 花 refers to cherry blossoms, as do all kigo listed here; but note that in Manyōshū and some other early poetry hana was understood as referring to ume 梅【うめ】plum blossoms, an early spring topic] (late spring)
花影【かえい】blossom shade
花の雨【はなのあめ】blossom rain [i.e., rain falling on cherry blossoms, or at cherry blossom time]
花の山【はなのやま】hana no yamablossoming mountains/hills
花便り【はなだより】hanadayoriblossom news / tidings of blossoms [whether carried in person or by media]
花の昼【はなのひる】hana no hirublossoms at midday
花の雲【はなのくも】hana no kumoclouds of blossoms / blossom clouds [figurative]
花盛り【はなざかり】hanazakariblossoms in full bloom / blossoms at their peak
花埃【はなぼこり】hanabokoriblossom dust / blossom pollen
花の宿【はなのやど】hana no yadoblossom inn [i.e., an inn where people go to see the cherry blossoms in the region; an inn nestled among blossoming cherry trees]
In the Japanese literary convention, the word flower (花 [はな]) is currently most often associated
with cherry blossoms, but such close connection between "flower" and "cherry blossom" only became established
around the time of kokin waka shū anthology. Initially, the word "flower"
referred to the "plum blossom." It started to signify cherry blossoms in Heian era. During the reign
of Emperor Kanmu (桓武 [かんむ]), the cherry blossom of Sakon
was planted in front of the main palace Shishinden hall; from around the time
of Emperor Saga(嵯峨 [さが]), banquets to enjoy cherry blossom viewing started
to be held often. Etymologically, the word sakura is believed to have originated
in the mythological times from the phrase "saku-ramu"(咲くらむ) meaning "it must be blooming." This
usage of the phrase is seen in a poem composed in Yamato (大和 [やまと])
by Prince Ninigi (瓊瓊杵尊[ににぎのみこと] Niniginomikoto).
As in a common idiomatic expression of accolade, "Sakura is to flower, as bushi warrior is to man," the beauty of the falling cherry blossoms began to be more
widely praised during the feudal Kamakura and Muromachi era. But this was an aesthetic that did not
extend to all classes. Cherry blossoms had to wait until the Edo era to be secularized for the enjoyment
of common citizens. In the first half of the seventeenth century, when many cherry blossom trees were
planted and "cherry blossom viewing" (花見 [はなみ] hanami) picnics became
popular, various new horticultural kinds began to be cultivated. Traditionally, the term sakura
refers to the a kind known as yama-zakura (山桜 [やまざくら]), or the
"mountain cherry blossom." The kind of cherry blossom seen in Mt. Yoshino (吉野 [よしの])
in Nara(奈良 [なら])is a white yama-zakura; red
yamazakura is more often seen in the Northeastern part of Japan. The sakura
one sees often today, including the "eight-layered" yae-zakura (八重桜 [やえざくら]),
is also a horticultural variation of the yama-zakura. The cross between the Ōshima-zakura (大島桜 [おおしまざくら]) and the higan-zakura(彼岸桜 [ひがんざくら]),
which are both variations of yamazakura, was put on the market by a horticulturalist
in Komagome Somei(駒込染井 [こまごめそめい]) in Edo. From Meiji
era onwards, this new kind called Somei Yoshino (染井吉野 [そめいよしの])
spread across the country. This kind of sakura was later shipped to various western
countries as a mark of friendship and good-will and is also known as the "Japanese Cherry" to distinguish
it from the kind of trees cultivated for cherry-picking. The sakura is a Rosacaeae
that grows not only in Japan but also in China and in the Himalayas; but no climate allows for such vast
varieties of sakura as Japan. Aside from the aesthetic enjoyment of the viewing
of its flower, sakura has been put to many practical uses. The tree has been
used as material for equipment, shipbuilding, and print; the tree bark has been used for cough medicine
and round chip boxes; the flower (especially the yae-zakura) has been pickled
in salt water and used in times of celebration as "cherry blossom hot water"(桜湯 [さくらゆ]
sakura-yu). Commonly used phrases related to sakura are
as follows: "drooping sakura" (枝垂桜 [しだれざくら]), "first sakura"(初桜 [はつざくら]),"first flower"(初花 [はつはな]),"young
sakura"(若桜 [わかざくら]) "old (woman) sakura"(姥桜 [うばざくら]),
"morning sakura" (朝桜 [あさざくら]), "evening sakura"(夕桜 [ゆうざくら]),
"night sakura"(夜桜 [よざくら]), "late sakura"(遅桜 [おそざくら]).
四方より花吹き入れて鳰の海
芭蕉
shihō yori hana fuki irete Nio no umi
from all directions
the flower blows into
sea of Nio
Bashō
花の雨竹にけぶれば真青なり
水原秋桜子
hana no ame take ni kebureba masao nari
rain of the flower
smoked with bamboo
utterly blue
Mizuhara Shūōshi
夜の桜小川のやうに人の声
飯田龍太
yo no sakura ogawa no yōni hito no koe
sakura at night
as though a little stream
someone's voice
Iida Ryūta
花影婆娑と踏むべくありぬ岨の月
原石鼎
kaei basa to fumu beku arinu soba no tsuki
the flower shadows wavering—
as if to invite stepping on them,
on a mountain path on the cliff, under the moon
Hara Sekitē
The shadows of flowers are described as "wavering,"or "basa"; the choice of this
phrase demonstrates the Poet's attention on the sound of the words. A soba is
a mountain path that swerves in and out. The author was experiencing struggles as a youth in Yoshino
when he wrote this poem. The melodious phrase, "as if to invite stepping on them," displays strong subjectivity
and is extremely powerful.
Yanagi is a deciduous shrub or a tree belonging to the Salicaceae
family. The kind of yanagi frequently invoked in idiomatic expressions,
such as "a wind to a yanagi" (yanagi ni kaze) or "slim
yanagi waist" (yanagi goshi), are the "weeping willows."
But there are other kinds of willows besides "weeping willows"; there are roughly forty other different
kinds of willows in Japan, along with over thirty kinds which are natural hybrids. The "pussy willow"
(Salix gracilistyla), a waterside shrub, blooms the earliest of all and is known
for adding poetic charm to early spring season. As the most other kinds are hard to distinguish from
one another, the whole Salicaceae family is simply grouped together and called
yanagi. In haiku, yanagi is a symbol for spring since
their leaves tend to become dense in the springtime; "summer-yanagi"(夏柳 [なつやなぎ]),
a related word that is distinctively summer and not spring, refers to the specific image of the willow
leaves turning ever more luxuriant in summertime. Other expressions related to yanagi,
all of which are spring season words, include the following: "blue yanagi"(青柳 [あおやぎ]),
"river yanagi" (川柳 [かわやなぎ]), "gate yanagi"(門柳
[かどやなぎ]), "yanagi shade" (柳陰 [やなぎかげ]), "yanagi
string" (柳の糸 [やなぎのいと]), "young yanagi“(若柳 [わかやぎ]).
The fluffy cotton-like yanagi seed s are called "yanagi
flower" (柳の花 [やなぎのはな]) or "ryūjo" (柳絮 [りゅうじょ]),
and this is also a spring haiku theme.
ゆつくりと時計のうてる柳かな
久保田万太郎
yukkuri to tokei no uteru yanagi kana
ever so slowly
the clock strikes—
oh the yanagi willow
Kubota Mantarō
柳垂れ汽艇も青き影ゆらぐ
水原秋桜子
yanagi tare kitei mo aoki kage yuragu
drooping yanagi willow
and the blueness of the Steam launch—
shadows are blurring
Mizuhara Shūōshi
卒然と風湧き出でし柳かな
松本たかし
sotsuzen to kaze waki ideshi yanagi kana
suddenly
the wind sprang up—
oh the yanagi willow
Matsumoto Takashi
糸柳垂れて町並つくるかな
軽部烏頭子
ito yanagi tarete machinami tukuru kana
ito yanagi—
oh how they droop in a row,
lining the streets
Karube Utōshi
"Ito yanagi" ("string yanagi") is a drooping willow; it
is the kind of willow referred to in Man'yōshū (万葉集 [まんようしゅう]) as
"yanagi no ito"(a string of willows). This kind of willow is often used for aesthetic
purposes to line the streets. The streets appear to be in spring attire as the leaves on these willows
grow thick and the arbored walk starts to look picturesque.
菜の花【なのはな】na-no-hanarape flowers / mustard flowers [technically, Brassica rapa, the plant from which canola oil derives; one may prefer to translate with the closely related "mustard" in English; the image is of a field covered with the yellow flowers] (late spring)
花菜【はなな】hananarape flowers / mustard flowers
菜種の花【なたねのはな】natane no hanarapeseed flowers
油菜【あぶらな】aburanaoilseed (flowers)
菜種菜【なたねな】natanenarapeseed greens
豆の花【まめのはな】mame no hanabean flowers (late spring)
豌豆の花【えんどうのはな】endō no hanagreen pea flowers
蚕豆の花【そらまめのはな】soramame no hanabroad bean flowers / horse bean flowers
畦青む【あぜあおむ】aze aomupaddy-ridges turn green [in some instances, "green up" might be used for aomu]
土手青む【どてあおむ】dote aomuembankments turn green / embankment turns green
ものの芽【もののめ】mono no mesome buds/sprouts (early spring)
物芽【ものめ】monome(various) buds/sprouts
若草【わかくさ】wakakusayoung grass(es) [Note that the word kusa 草【くさ】in Japanese is not limited to grasses, but includes forbs (wildflowers and herbs) as well] (late spring)
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