歳時記 (Japanese Haiku: A Topical Dictionary) — 夏 Summer — 生活 Daily Life作者複数 (Various)Japanese Haiku: A Topical Dictionary歳時記Various作者複数Meiji Period to Present明治以降Poetry韻文Japanese日本語Text本文さいじきJapanese Haiku: A Topical Dictionary 歳時記 さいじき Various 作者複数 さくしゃふくすう
明石【あかし】akashisilk crepe [after the place where it is made]
浴衣【ゆかた】yukatasummer kimono / yukata (all summer)
古浴衣【ふるゆかた】furuyukataold yukata
貸浴衣【かしゆかた】kashi-yukataloan-yukata / borrowed yukata [as at a hotel, spa, etc.]
The word yukata originally referred to a thin, single-layered hempen robe worn while or
after bathing, properly called a yu-katabira (湯帷子【ゆかたびら】; literally something
like "bath-robe"). It has since come to mean an unlined robe made of white cotton or cotton crepe, dyed
with family crests or other patterns. Another style is made of dark blue cotton with patterns in white,
a combination thought to suggest coolness in sumer. Until recently, yukata were worn mainly indoors at
home, but lately people have taken to wearing them outdoors, when attending evening festivals or markets
in summer, for example. These robes are ideal informal wear for warm and humid summer nights. The yukata
has historical associations with the urban middle classes and remains popular with everyone from children
to the elderly.
浴衣着て少女の乳房高からず
高濱虚子
yukata kite shōjo no chibusa takakarazu
in her yukata
the young girl's breasts
not high at all
Takahama Kyoshi
借りて着る浴衣のなまじ似合ひけり
久保田万太郎
karite kiru yukata no namaji niaikeri
borrowing a yukata
I put it on and find
it sort of suits me
Kubota Mantarō
張りとほす女の意地や藍ゆかた
杉田久女
haritōsu onna no iji ya ai-yukata
all the way
my woman's will:
indigo yukata
Sugita Hisajo
[Most women's yukata are basically white.]
音たてて浴衣に腕通りけり
新村青幹
oto tatete yukata ni kaina tōrikeri
making a sound
arms through the sleeves
of the summer robe
Niimura Seikan
A well-starched yukata feels pleasant to the touch and ciruclates air well, so is quite comfortable.
The sound the poet hears is that of the stiffly starched sleeves cracking and unbending as he slips on
the robe--a sound which calls to mind the pleasure of wearing a yukata on a warm summer evening.
水着【みずぎ】mizugi(みづぎ), bathing suit (late summer)
海水着【かいすいぎ】kaisuigibathing suit
菖蒲湯【しょうぶゆ】shōbuyu(しやうぶゆ), iris bath / sweet-flag bath [a hot bath with Acorus calamus] (mid summer)
花氷【はなごおり】hanagōri(はなごほり), flowers-in-ice [a block of ice with flowers frozen inside, for both decoration and cooling] (late summer)
氷柱【ひょうちゅう/こおりばしら】hyōchū/kōribashiraice pillar / block of ice [usually, as above, with flowers frozen inside]
団扇【うちわ】uchiwa(うちは), (round) fan [usually made of lightly framed paper glued to a handle] (all summer)
古団扇【ふるうちわ】furu-uchiwaold fan
絵団扇【えうちわ】e-uchiwapicture fan
渋団扇【しぶうちわ】shibu-uchiwapersimmon fan [literally "astringent fan"--also called "persimmon fan" 柿団扇【かきうちわ】 kaki-uchiwa--with persimmon juice applied to the surface, said to benefit health]
水団扇【みずうちわ】mizu-uchiwawatered fan [a waterproofed fan sprayed with water to enhance cooling effect]
団扇置【うちわおき】uchiwaoki(round) fan stand/holder
団扇掛【うちわかけ】uchiwakakehanging (round) fan [as decoration]
扇【おうぎ】ōgi(おおぎ), folding fan
扇風機【せんぷうき】senpūkielectric fan
風鈴【ふうりん】fūrinwind chime/bell(s) (all summer)
風鈴売【ふうりんうり】fūrin-uriwind-chime seller/vendor
走馬燈【そうまとう】sōmatōrevolving lantern (all summer)
そうばとうsōbatōrevolving lantern
回燈籠【まわりどうろう】mawaridōrōrevolving lantern
虫干【むしぼし】mushiboshiairing out [books, clothing, etc., after the rainy season] (late summer)
虫払【むしばらい】mushibaraiclearing out insects
風入れ【かざいれ】kaza-ireairing out
土用干【どようぼし】doyōboshidog-day airing
曝書【ばくしょ】bakushoairing books
After the early summer rainy season is over, it is customary to choose a sunny day during the
"Dog Days" season--about July 20 though the first week of August--to air clothing, books, paintings,
household furnishings, etc., to rid them of mold and pests. Shrines and temples typically air out their
valued possessions at this time of year, and may put scrolls, paintings or antiques on public display
on this occasion. "Airing books" refers to putting out books, calligraphy, etc. Clothing, especially
kimono, are usually hung on bamboo poles suspended over a veranda. During the early summer rains it used
to be the custom to "burn okera" (槍術を焼く【そうじゅつをやく】 sōjutsu o
yaku; okera/sōjutsu is a Chinese medicinal herb) in houses to rid the air of excessive humidity.
なき人の小袖も今や土用干
芭蕉
naki-hito no kosode mo ima ya doyōboshi
even the robe
of the deceased included--
dog-day airing
Bashō
はさみたるスヰスのはがき書を曝す
松尾いはほ
hasamitaru suwisu no hagaki sho wo sarasu
between the pages
a postcard from Switzerland--
airing books
Matsuo Iwao
虫干に増えず減らざる母の衣
橋本美代子
mushiboshi ni fuezu herazuru haha no kinu
a summer's airing
never more nor less
mother's clothes
Hashimoto Miyoko
[Original may imply silk kimonos.]
漢籍を曝して父の在るごとし
上田五千石
kanseki o sarashite chichi no aru gotoshi
Chinese classics
out for airing as if
father were here
Ueda Gosengoku
It can be a nuisance to bring books out for airing each summer, but they may call up pleasant memories.
Looking over his father's books, many of them Chinese classics, as he brings them out to be aired, the
author momentarily imagines the presence of his dead father.
打水【うちみず】uchimizu(うちみづ), sprinkling/watering [the street or other areas to lay the dust and for cooling] (all summer)
"Rice planting" refers to the work of transplanting "young (rice) seedlings" (早苗【さなえ】sanae) to paddies after the paddies have been irrigated and ploughed and fertilizer applied. Traditionally,
this task was regarded as having strong religious import and was performed exclusively by "rice maidens"
(早乙女【さおとめ】 saotome)--unmarried girls wearing wide-brimmed hats for the occasion--who
sang "rice-planting songs". The songs called upon the gods of the paddies to help assure a bountiful
harvest.
In recent times, such customs have largely disappeared. How rice seedlings are planted varies from one
locale to another and depends in part on the kinds of paddies, but the rule is that seedlings are planted
in straight rows as the planters gradually move backwards. Performed during the summer rainy season,
it requires a lot of work slogging through deep mud. Often, all of the farming families of a village
will join forces to plant rice seedlings collectively. Together with the autumn harvest, this is one
of the two most important tasks of the agricultural year in Japan. Once the planting is finished, a sense
of quiet and of great calm seems to embrace the paddies and the village.
Traditionally, rice seeds were sown on the 88th evening of the lunar year, and the seedlings transplanted
33 days later, but the calendar varies by locale. Generally, the seedlings are transplanted from early
or middle June up until the beginning of July.
風流の初めやおくの田植うた
芭蕉
fūryū no hajime ya oku no taue-uta
refinement's beginnings--
deep in the north country
rice-planting song
Bashō
山河また一年経たり田を植うる
相馬遷子
sanga mata ichinen hetari ta o ueru
mountains and rivers
have passed another year
we plant rice
Sōma Senshi
[The opening lines allude to the beginning of Du Fu's "Spring View": "The nation is ruined, but mountains
and rivers remain," in Gary Snyder's translation.]
田植歌山を越ゆればまたたがふ
縄田屋花文
taue-uta yama o koyureba mata tagau
rice-planting song--
cross another mountain
and it's different again
Nawadaya Hanafumi
一日中一人湖北の田植かな
細見綾子
ichinichijū hitori kohoku no taue kana
all day long
alone at North of the Lake
rice-planting
Hosomi Ayako
The place-name "North of the Lake" suggests isolation, and the scene of a single farmer silently planting
rice seedlings all day long suggests desolation to the mind of a traveller--all the more so if it is
known that the rest of the village is caught up in the festival atmosphere of planting. The verse is
quite free of any subjective language, and its force is thus enhanced.
As with standard fireworks, gunpowder is mixed together, then loaded and rolled into a hariko
ball (made by layers of paper). These gunpowder balls are put into a barrel, lighted for explosion,
and hauled up high in the air. Dazzling bright colors of hanabi spread themselves
across the night sky, displaying the careful contrivance of each of the detonators. The "set fireworks"
(仕掛花火 [しかけはなび], shikake hanabi), are the kind of fireworks
especially designed to make various shapes or letters appear on the sky. Families enjoy smaller hanabi for children, like the scented or joss-stick fireworks (線香花火 [せんこうはなび],
senkō-hanabi). There are varieties of smaller fireworks. There are ones
with the detonators twisted into a paper-string to make sparks flash out of them like little stars; or
sparks that shoot down like eulalia, called "mouse hanabi," (鼠花火 [ねずみはなび],
nezumi hanabi), which runs around the ground like a mouse until it finally explodes;
there is also the "electric hanabi" (電気花火 [でんきはなび], denki hanabi). Be it the big hanabi in the sky or the small
scented fireworks enjoyed in the garden-- even as they each excite different emotions-- hanabi
remains a refreshing entertainment that enriches the enjoyment of a summer evening. The famous "river
opening" festival in Ryōgoku (両国 [りょうごく]) is a popular traditional
event that brings a lively throng to the streets, reaching as far back as the Edo
era and reintroduced recently; nowadays, many localities hold their own elaborate hanabi
exhibitions (花火大会 [はなびたいかい], hanabi taikai) as well. Hanabi invokes different reactions depending on the viewer's state of mind. Because
of its ephemeral quality, hanabi, which takes only a moment to disappear, has
been employed in Japanese literary conventions to signify transience. While hanabi
is now associated with summer, this was not always the case. In haiku, hanabi
used to be treated as a season word for autumn. This is because in the past, hanabi
was more closely associated with the bonfire at the Feast of Lanterns, lit for speeding [escorting] the
spirits of the dead. In Saijiki(歳時記 [さいじき]), haiku poems
with "hanabi" are classified under autumn, and "scented hanabi"
under summer.
暗く暑く大群衆と花火待つ
西東三鬼
kuraku atsuku daigunshū to hanabi matsu
dark and hot
among the crowded throng I wait
for hanabi
Saitō Sanki
花火消えみちのくの闇底無しに
山崎和賀流
hanabi kie michinoku no yami sokonashi ni
hanabi disappears
and the darkness in Michinoku
becomes bottomless
Yamazaki Wagaryū
手花火の消えたる闇の匂ひかな
斎藤蘆穗
tehanabi no kietaru yami no nioi kana
sparks from hanabi
disappear in my hand—
oh the scent of darkness
Saitō Roho
まなうらに今の花火がしたたれり
草間時彦
manaura ni ima no hanabi ga shitatareri
in the back of my vision
the hanabi I saw just now
trickles down
Kusama Tokihiko
Continuing to see flashes of what one just saw even after closing the eyes, is called an afterimage.
This haiku however involves more than just a description of a hanabi afterimage
phenomenon. The emphasis of the poem is not on the afterimage itself, but on the vividness of the actual
hanabi. The poem crystallizes the brilliance of the hanabi
that beautifully illuminated the night sky, while at the same time lamenting the transience of the hanabi that disappeared in a mere moment.
玉の汗【たまのあせ】tama no asebead/drop of sweat/perspiration
汗ばむ【あせばむ】asebamu(to) become sweaty
日焼【ひやけ】hiyakesunburn (all summer)
潮焼【しおやけ】shioyakesea-side burn [literally "tidal burn"; sunburn and windburn from being on or near the ocean]
昼寝【ひるね】hirunemidday nap / siesta (all summer)
午睡【ごすい】gosuimidday nap / siesta [named for the "hour of the horse", noon]
昼寝覚【ひるねざめ】hirunezameawakening from a midday nap/siesta
三尺寝【さんしゃくね】sanshakunethree-foot nap [literal; to nap within a three-foot square]
夏痩【なつやせ】natsuyasesummer thinness (all summer)
夏負【なつまけ】natsumakesuffering from summer heat
帰省【きせい】kiseihomecoming / returning home [for summer vacation] (late summer)
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